Why "India Outside India"?

Since I came to NYC I have been trying to capture for the benefit of my international friends what is ‘India’ or ‘Indianness’. We have discussed various facets of Indian people, culture, ways of meaning making and what it means to live as an Indian. It was also interesting when my international friends shared what they thought being Indian was/must be like for me. I have been capturing visuals that I thought express non-Indians’ perceptions about India and also the expressions/visuals shared by the Indian community in US that must be shaping this perception. After a year of gathering images and talking in my head about it I thought why not put it all down in a blog.

Sunday, January 6, 2013

India portrayed in Indian restaurants

We were visiting Rasoi, one of the Indian restaurants in Providence, with our friends from South Africa (via NYC). We have been frequenting Rasoi for their Sunday brunch. They have the best Indian food I have tasted in a while. They also have huge photos from India as decoration on their walls. I was pleasantly surprised and excited this time to see photos that seemed like they were taken in Maharashtra. On closer inspection I found a note about the exact location. Mandai!!! Who knew I would sit next to photos of women making garlands and a man selling onions taken in Mandai of all the places. For the people who do not get the reference, Mandai in Pune, my home town, is a marketplace bang in the middle of the old city. Well that description doesn't do justice to what Mandai and the whole experience of going to Mandai is all about.


These photos reminded me of other surprising visuals used for decorations in other restaurants.

The following two paintings are from a restaurant in Niagara falls, US. The paintings portray the Peshvas based in Pune, one of the important players on the political scene locally in Maharashtra in 18th century and possibly on the subcontinent during the reign of Bajirav Peshva in the first half of the 18th century. The romantic story of Bajirav and Mastani the courtesan is well know in Maharashtra. The other painting was that of the Shanivarvada, the fortified palace of the Peshvas in Pune. You can see only a part of it behind me in the second photo. I was quite surprised to see the Peshvas as visual representation of Indian. Even in India, many of the people outside Maharashtra do not know of the Maratha and Peshva history as the history books focus more on the dynasties based in Delhi and the Rajputs of the North western region.




The other painting that caught my eye and made me chuckle is in another restaurant in Providence - Not Just Snacks. The painting has all the symbols of 'exotic India' bringing together different pieces of place and time in an unusual collage - elephant, peacock, Tajmahal, coconut, palm, and mango trees,  a boy flying kite, a singer (Meerabai??) with a string instrument who is from some bygone era, and people who look like they are from northern India on the banks of a river (Ganga??) Oh and I forgot the deer mesmerized by the song Meerabai is playing/singing.  Mountains behind the Tajmahal, the river plains in the middle and I am assuming desert behind Meerabai.